On Nov. 2015, 9-year-old Basil Al Riyabi was struck by a landmine that cost him both his legs, his left hand and left eye. “I didn’t know it was a mine, so I started playing with it and it exploded. All my friends died,” said Mohammed, as he sat on his bed at a rehabilitation centre in Amman, Jordan,
When I first saw Basil, he was running across the hallway on his amputated legs, talking and playing with his adult friends. He was shy and was hesitant to speak with me. It took me few visits before Basil felt comfortable telling his story. He sat on his bed with his shorts and striped T-shirt next to his friend, Ibrahim, 13, whose leg was damaged after the bunker he was hiding in was struck by a rocket. Soon after, he fled Syria for Jordan.
What shocked me most was how much these two young children knew about weapons: Basil could distinguish different types of rockets, bullets and the materials necessary to make barrel bombs. He even knew which ones are Russian made and which ones are not. When he made a mistake, Ibrahim would correct him.
I had never heard of a barrel bomb before the Syrian civil war. I’m not even sure when they were first manufactured. But the idea of compressing explosives, fuel, irregular shaped steel fragments, shrapnel, chemicals and oil into a cylinder and then dropping it from a plane on heavily populated areas just seems so unimaginable. Civilians have a mere 10 seconds to run or hide. But when you don’t know where it’s coming from, you just have to sit and wait and hope that you don’t die.
It was a moment of shock for me when I realized the extent to which weaponry is designed by manufacturing companies to kill and destroy in the most inhumane and horrific ways. Governments and arms companies make billions of dollars every year out of warfare to sell their inventions to both sides of the conflict to make as much money as possible. I’m left wondering how those individuals, who are creating these incredibly destructive weapons, can sleep at night. In the end, what we are left with are collective and individual stories of death, destruction, murder and irreversible damage, with no government, corporation or individual that is made accountable for these tragedies.
When I Fell is a collection of stories from the children and adults I met at the rehabilitation centre, recollecting the moment they were hit— and the weapon that struck them.
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A Palestinian, born and raised in Jordan, freelance photographer Annie Sakkab is based in Canada and the Middle East. As a visual storyteller and social documentarian, she is drawn to explore the customs, lifestyles and values that characterize her subjects. Annie seeks long-form narrative with a focus on women’s issues and social justice. With her work, she raises questions of identity and awareness of the experiences of exile, uprooting and displacement among marginalized groups. Her long term project, ‘A Familiar Stranger,’ challenges contemporary western views and constructs of Middle Eastern women, and raises larger questions of how we perceive repression and freedom.
A participant in the Missouri Photo Workshop in 2014 and Eddie Adams Workshop in 2017, Annie won the News Photographers Association of Canada (NPAC) NPOY Student photographer of The Year Award, CPOY College Photographer of the Year Award: Award of Excellence in Portraiture, and the NPAC 1st Place Feature Photo in 2016 and 2017, amongst other awards. Her work has also been recognized by Ontario Newspaper Awards, Ontario Community Newspapers Association, and Loyalist College faculty for commitment to and proficiency in editorial portraiture, documentary photojournalism and storytelling.
Annie worked for various Canadian and International organizations and medias including New York Times, The Globe and Mail, Bloomberg, Die Zeit, NBC News, MONOCLE Magazine and Arab News, United Nations High Commissioner for Refugees (UNHCR), Mercy Corps, Danish Refugee Council (DRC), and is a member of Muse Projects and Women Photograph. She has also completed AKE group Hostile Environment Training in 2017.
A participant in the Missouri Photo Workshop in 2014 and Eddie Adams Workshop in 2017, Annie won the News Photographers Association of Canada (NPAC) NPOY Student photographer of The Year Award, CPOY College Photographer of the Year Award: Award of Excellence in Portraiture, and the NPAC 1st Place Feature Photo in 2016 and 2017, amongst other awards. Her work has also been recognized by Ontario Newspaper Awards, Ontario Community Newspapers Association, and Loyalist College faculty for commitment to and proficiency in editorial portraiture, documentary photojournalism and storytelling.
Annie worked for various Canadian and International organizations and medias including United Nations High Commissioner for Refugees (UNHCR), Mercy Corps, Danish Refugee Council (DRC), The New York Times, The Globe and Mail, Bloomberg, Die Zeit, NBC News, MONOCLE Magazine and Arab News, and is a member of Muse Projects and Women Photograph. She has also completed AKE group Hostile Environment Training in 2017.